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SCULPTURES BY GARY JAMESON |
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The Great Wave (after Katsushika Hokusa), 2005, chalk pastel on
cut and formed paper, 18"x8"x12" high.
This sculpture is part of a new direction of "3-D drawings," applying chalk pastel over Rives BFK paper and cutting and forming as shown. These small paper works could be translated into larger metal sculptures. |
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Storm over the Blue Ridge, 2005, chalk pastel over cut and
formed paper, 14"x8"x8" high.
This sculpture is an interpretation of a squall line traveling over the Virginia mountains. These small paper works could serve as maquettes for larger metal sculptures. |
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Shenandoah, 2005, chalk pastel over cut and formed paper,
14"x8"x8"high.
Inspired by aerial views of meandering rivers such as the Shenandoah in Virginia, this is another recent cut paper sculpture that could easily translate into a larger work of steel or bronze. |
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| Chesapeake
Dawn, 2001, painted wood, 66" high with base. Another sculpture from the Chesapeake Bay Series, this piece interprets the sun rising over the bay. This sculpture could also readily be redone in either concrete or metal. |
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Architectural Remnant, Paleopolystyrene Period, 1995, polystyrene (Styrofoam) sheet and beverage cups over wood, about 11 feet high. This piece was an installation at the Future Relic outdoor sculpture exhibition, Artscape '95, Baltimore, Maryland. The intention is to depict what future archaeologists would interpret from the remnants of our society. It is said that two artifacts will survive for future millennia, Styrofoam and "disposable" baby diapers. I chose to stay only with Styrofoam on this sculpture.
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